RR: Tobias. returns to Ostgut Ton with his third full length Eyes In The Center and expands the musical narrative laid out by his Helium Sessions EP (O-TON, 2016). The Berghain resident keeps exploring the vast modular synth-driven Techno, Experimental and Ambient territories on a journey in-between genres.
Tobias Freund is long established as an influential artist and has – since the early 1990s – been working as a professional producer, sound engineer, label owner and strictly live musician. Besides his early solo projects (such as Pink Elln, Metazone or Phobia) he’s also been collaborating with Dandy Jack (as Sieg Über Die Sonne), Ricardo Villalobos (as Odd Machine), Max Loderbauer (as NSI.), Valentina Berthelon (as Recent Arts) and AtomTM to only name a few. With his vast experience, diverse output and interests, Tobias. doesn’t tire to actively push against existing boundaries and explore new areas of electronic music.
On Eyes In The Center Tobias. sticks to this mantra. The album, instead of following a stringent musical concept, channels a certain attitude and sovereignty fed by almost three decades of Tobias. expanding his skills in music production, in their entirety the 12 songs work as a raw, unpolished collage and evoke the spirit of (Post) Punk and the more experimental niches of electronic music. Think Chrome, Residents and Throbbing Gristle – but not Kraftwerk. Or think The Human League, Yellow Magic Orchestra and Der Plan, but think more in terms of musical attitudes and concepts rather than past sound aesthetics.